PAINTING AFTER POST MODERNISM

Rose, Barbara, from the catalogue essay, Painting After Postmodernism Belgium-Italy-USA, 2018.p 181 Painting after Postmodernism I Belgium - USA investigates why when Marcel Duchamp declared that painting was dead in 1918, many believed him. However, he was wrong.

The show features works by Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret-Thomé, Bart Vandevijvere, Jan Vanriet, Walter Darby Bannard, Karen Gunderson ... .- "Painting After Postmodernism (Belgium-USA)" es el nombre bajo se presenta en el Palacio Episcopal de Málaga una exposición que llega de la mano de Roberto Polo, patrono de The Metropolitan Museum of Art de Nueva York, y comisariada por Barbara Rose. Painting after postmodernism (Belgium-USA) The transvanguard, accepting the implicit guidelines of postmodernism, has exercised with its cultural actions a willingness to anti-manifiesto, a denial of the previous conventions, in part very much in line with what Paz called the tradition of rupture; yes, 'ma non troppo'. El espacio expositivo ArsMálaga, situado en el Palacio Episcopal de la ciudad, acoge hasta el próximo 2 de julio la exposición 'Painting after Postmodernism' (Belgium-USA), una muestra que supone el manifiesto de la nueva pintura y de los artistas más significativos de este movimiento en el eje geográfico Bélgica - Estados Unidos. Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern..